The meters of
Pāli poetry consists of various patterns of full-length syllables alternating
with half-length syllables.
Full-length
syllables:
contain a long vowel (ā, e, ī, o, ū, ay); or
end with ṃ; or
end with a consonant followed by a syllable beginning
with a consonant (e.g., Bud-dho, Dham-mo, Saṅ-gho).
In this last
case, the consonant clusters mentioned above — bh, dh, ḍh, gh, jh, kh, ph, th, ṭh — count as single consonants, while
other combinations containing h — such as lh & mh — count as double.)
Half-length
syllables end in a
short vowel.
Thus, a
typical line of verse would scan as follows:
Van -
|
dā -
|
ma -
|
haṃ
|
ta -
|
ma -
|
ra -
|
ṇaṃ
|
si -
|
ra -
|
sā
|
ji -
|
nen -
|
daṃ
|
1
|
1
|
1/2
|
1
|
1/2
|
1/2
|
1/2
|
1
|
1/2
|
1/2
|
1
|
1/2
|
1
|
1
|
In this book,
wherever possible, many of the long compound words have been broken down with
hyphens into their component words to make them easier to read and — for anyone
studying Pāli — to understand. This creates only one problem in scanning: When
the hyphen is preceded by a consonant (usually m or d) and
followed by a vowel, the consonant forms a syllable together with the vowel
following the hyphen and not with the vowel preceding it. Thus, for instance, dhammam-etaṃ would scan as dham-ma-me-taṃ; and tam-araṇaṃ as ta-ma-ra-ṇaṃ.
If all these
rules seem daunting, the best course is simply to listen carefully to the group
and to chant along, following as closely as possible their tempo, rhythm, and
pitch. All voices, ideally, should blend together as one.
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